Georg Baselitz

Sing Sang Zero I

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4,100€  *
OR
* Total price includes shipping, taxes, and resale right (if applicable).

    DETAILS

  • Paper Somerset 300 gr

  • Etching and Aquatinta on 3 plates

  • 2011

  • Paper: 85 x 64,5 cm, Plates: 66,5 x 49,5 cm

  • 1938, Deutschbaselitz

  • numbered and signed

  • Georg Baselitz started to create graphic works right at the beginning of his artistic career. He continues to give equal value to them, for example in comparison to his paintings, by still working in prints until this day. His works from the Sing Sang Zero series convey an urgent sense of spatiality. Baselitz created his prints and his monumentanl sculptures simultaneously. His graphic works are extraordinary examples for the importance of this medium within the œuvre of an artist. Sing Sang Zero was created in 2011 as a monumental douple portrait. The work combines humour, the pathos of expressionism and the mystery of the African sculpture.

    Auction results for other works by this artist:

    1.) Der Hirte from 1965, Ketterer Kunst on April 28th, 2012.
    Price excluding buyer's premium 4.626 $ (3.500 €)
    2.) Zwei Köpfe from 1994, Hauswedell & Nolte on Juni 12th, 2010.
    Price excluding buyer's premium 4.840 $ (4.000 €)

    Some of the factors which can influence the price of an artwork are the edition number, the scale, the year it was executed or the condition.

  • Edition: 12
ARTIST BIOGRAPHY

Georg Baselitz, born as Hans-Georg Kern in 1938 in Großbaselitz, is a key figure of contemporary German art. He is a painter, engraver, sculptor and collector of renaissance prints. With bold and fleshy brushstrokes as the main component of his artistic vocabulary, and a chainsaw and axe as his favored sculpting tools, Baselitz is primarily associated with neo-expressionism and new figuration tendencies, seen as a result of pursuits for other – than Informel and Socialist Realism – ways of expression. The artist first studied at the University of Fine and Applied Arts in East Berlin. Expelled after a year, he moved to West Berlin, where he enrolled at the University of Arts. Together with Eugen Schönebeck, in 1961 and 1962, Baselitz formulated a manifesto and organized two exhibitions in an abandoned house in Berlin-Charlottenburg, under the title "Pandämonium". That was followed by his rising critical recognition and the first individual exhibition at the Galerie Werner&Katz in Berlin (1963), also the inaugural show for the renowned gallery. For the past four decades, Baselitz has been exhibited and collected worldwide; he partook in important mega-exhibitions such as the Documenta in Kassel (1972, 1982, 1987, 1992), São Paulo Biennial (1975) and the Venice Biennale (2003), and he has been constantly at the aphex of his popularity. Recently, the artist created a homage to Willem de Kooning, one of his main gurus since the late-50s, stating "Most of what you see as freedom is de Kooning."

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